Sabaton O2 Apollo Manchester 13/01/2017 The art of war! Set List: Ghost Division Sparta Blood of Bannockburn Swedish Pagans Carolus Rex The Last Stand Far From the Fame Winged Hussars The Final Solution Night Witches Resist and Bite Dominium Maris Baltici The Lion from the North Diary of an Unknown Solider The Lost Battalion Union (Slopes of St. Benedict) Primo Victoria Shiroyama To Hell and Back Twilight Force and Accept had laid down the gauntlet at the Apollo tonight. As the curtain came down on a set from Accept that was balls to the wall classics, talk turned to how Sabaton could top this. The urban stage set of Accept was removed from the stage and the familiar stage set of Sabaton appeared. One thing that became apparent straight away was the huge amount of money that Nuclear Blast must have sunk into Sabaton, video screens, a drum riser that was built into a machine gun turret – a big leap up from the already large stage set from the Heroes tour. Sabaton are no strangers to Manchester, every venue has been rammed and tonight is no exception. Because of this reason, Sabaton have played larger and larger venues culminating in another full house here at the Apollo. As the lights go down, Sabaton’s cover of In the Army Now begins to play through the PA before giving way to Sabaton’s The March to War signalling that Sabaton are about to take to the stage with a high adrenaline version of Ghost Division. The money that Nuclear Blast seem to have trusted in Sabaton for this tour once more prevails during Sparta. Accompanying an onscreen video are 4 Spartans onstage commanded by Joakim Brodén dressed as King Leonidas of Sparta. Brodén never ceases moving as he legs it from each side of the stage with an almost limitless amount of energy as Sabaton easily slid new songs from The Last Stand effortlessly alongside already established Sabaton classics such as Carolus Rex and Swedish Pagans. However, the only gripe tonight seems to be the rather jovial atmosphere during the acoustic performance of The Final Solution. In such a poignant song, it was rather odd to hear clapping with even a little bit of silliness from Sabaton themselves. That aside, Sabaton always look like they are most at home on the stage. Sabaton have an almost unique rapport with the audience, Joakim and co. live for moments like these and no other band even seems to come close to the adoration that Sabaton receive as well as the humbling love that Sabaton return. Sabaton grow from strength to strength with each passing year and rightly so, they are a unique band that deserves to be where they are. They are born entertainers, drafting you into their army, heavily researching to give each song authenticity whilst creating songs with a heavy subject matter without glorifying atrocities or bringing it towards a dirge. Sabaton brought home a fantastic night of Heavy Metal with all its military pomp and glory. Adam Shiroyama (Sabaton, 2016)
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Alliance of Thieves Meshiaak 2016 Mascot Records Meshiaak are an Australian Heavy Metal band formed in 2014 featuring former Impellitteri drummer, Jon Dette and Dean Wells from Teramaze on the guitars. Meshiaak play a type of Heavy Metal that is akin towards Thrash Metal, however, there is more to Meshiaak with rhythms and grooves that can liken them more towards the Thrash end of Groove Metal. Alliance of Thieves is the debut studio album by Meshiaak and other than Dette and Wells, also features Nick Walker playing bass with Danny Camilleri also taking on guitar duties as well as the vocal duties. Meshiaak have a sound that would appeal to fans of Metallica and Slayer, whilst also towards Pantera and the likes of Machine Head. Meshiaak has chosen to produce Alliance of Thieves themselves with guitarist Wells at the helm, supported by vocalist Camilleri. Alliance of Thieves has an absolutely stellar sound with what sounds like big money behind Meshiaak, Alliance of Thieves would easily appeal to fans of Machine Head’s latest output with pounding blast beats, soaring harmonised vocals coupled with a deep melodic growl and twin guitar flurries that even Rob Flynn would be jealous of. The way that Wells and Camilleri have produced Walker’s bass sound to sound dominating and droning, yet melodic at the same time. In fact, the Machine Head influence is very strong throughout Alliance of Thieves and lyrically, Meshiaak stick within these boundaries. Alliance of Thieves is brimming with angry social observations focusing upon war, isolation, human insincerity and the wistful longing for a previous time. However, there are times with Alliance of Thieves where as talented as musicians as Meshiaak are, you can easily draw parallels between Alliance of Thieves and Machine Head’s 2011 album, Unto the Locust. This homage is most prominent in the final two tracks, the title track itself and Death of an Anthem. The former having overtones of the pre-chorus to Locust, whilst the latter is basically saddled with a bass riff that is eerily similar. Being pedantic aside, there are some very good songs on Alliance of Thieves, the opening track of Chronicles of the Dead will pull your face off and give you a huge dose of what Meshiaak are all about, whilst At the Edge of the World shows off Meshiaak’s raw talent with Last Breath Taken allowing Camilleri to deliver his vocals in a way that is reminiscent of Slayer. However, as decent as Alliance of Thieves is, a lot of the songs fail to stick and remain in your memory and it is only with playing the album itself where you can find yourself humming along. Meshiaak do have something on Machine Head though, at least Meshiaak know how to finish a song and don’t drag out a song to its death at 8-9 minutes plus like Machine Head do. Alliance of Thieves is a decent debut and great starting point for a band that sounds well and truly already bedded in. Alliance of Thieves sounds as good, if not better than their peers at times and would definitely appeal to fans of this genre and it will be interesting to see how Meshiaak follow this up. 6/10 Adam Drowning, Fading, Falling (Meshiaak)
Diamond Head Diamond Head 2016 Dissonance Productions Diamond Head are a Heavy Metal band that are considered to be one of the most highly influential bands that were part of the New Wave of British Heavy Metal movement in the early 80’s. With Brian Tatler still at the helm, Diamond Head are best remembered for releasing the seminal NWOBHM classic, Lightning to the Nations in 1980. Diamond Head have disbanded and reformed a few times in their career, but since original vocalist Sean Harris and Tatler went their separate ways in 2003, Diamond Head have maintained a generally stable release of albums. Diamond Head’s eponymous latest release is their 7th album and their long awaited follow up to 2007’s What’s In Your Head? Diamond Head is the first release with Danish vocalist Rasmus Bom Andersen, who replaces former vocalist, Nick Tart who left the band in 2014. The rest of Diamond Head is completed by Karl Wilcox on the drums, Eddie Moohan on the bass and Andy Abberley joining Tatler on the guitars. Diamond Head has been self-produced with the recording being completed by Adam Beddow. Diamond Head has a typically NWOBHM sound and at times, it moves to a more Classic Heavy Metal sound. Tatler has always had a distinctive guitar tone, that once more rears its head to identify the music as Diamond Head. The rest of Diamond Head tries very hard to capture the magic and tone of Lightning to the Nations and it nearly does, the whole album sounds very much as if it was recorded in 1980, of course there are some modern twists, in particular the bass groove to Our Time is Now is exceptionally clean and deep. Bones is the opening track from Diamond Head and sets the pace for the remainder of the album and gives us the first glimpse of what to expect from Andersen. At first listen, Andersen’s voice can seem a little generic and weak, however, this is not the case, as the album progresses, you find that Andersen’s voice is very versatile, easily being able to hark back to a similarity with Harris’ voice whilst being nowhere near a straight up imitator, Andersen stamps his own mark all over Diamond Head and let’s hope this is the start of a new era of prosperity for Diamond Head. There are tracks on Diamond Head that would not be out of place on Lightning to the Nations, Shout at the Devil, Wizard’s Sleeve – even though it does contain the chorus ‘can I come inside your wizard’s sleeve’, Speed and Diamonds. The latter is a fantastic slice of pure NWOBHM gold. Diamond Head isn’t all about recapturing their youth, there are tracks on the album that show a different side to them, the slow brooding of Set My Soul on Fire, the Black Sabbath inspired groove to Our Time is Now, the Led Zeppelin rhythm which gives way to a classic Diamond Head romp with Diamonds. However, it is the final Middle-Eastern flavoured Silence which steals the album, it is a slow burner, building up to near Stargazer proportions that brings a close to an album that has been a great surprise. Diamond Head is a great album by a band that has had their fair share of ups and downs, but Diamond Head is infectious, it will grow and before you know it, you will have a serious contender for one of the top spots comes year end. 9/10 Adam All the Reasons you Live (Diamond Head)
Cemetery Junction Demon 2016 Spaced Out Music Demon are Heavy Metal band that rose to prominence during the New Wave of British Heavy Metal movement. Led by Dave Hill, Demon released the NWOBHM classic, Night of the Demon in 1981. Demon originally called it a day in 1992, but reformed in 1997 with a sound that has moved more to a radio friendly Hard Rock sound than the NWOBHM style that they rode the crest of the wave with. Cemetery Junction is Demon’s 13th studio album and is the follow up to 2012’s Unbroken. Cemetery Junction ploughs a similar path to Unbroken with the only line-up change being the addition of Karl Waye on the keyboards after the departure of Paul Farrington. This brings the Demon line-up to be completed by founding vocalist Dave Hill, David Cotterill and Paul Hume on the guitars, former guitarist Ray Walmsley now plays the bass with Neil Ogden on the drums. Cemetery Junction has been produced by one time Clay Records owner, Mike Stone and Hill with a sound that many people won’t be accustomed to when thinking of Demon. What you have with the production of Cemetery Junction is a record that sounds restricted, whether by funding, ability or studio. However, it is not all about the production and there are some decent songs which prevail over this initial barrier. What you get with Cemetery Junction is an album that shows glimpses of Demon’s past, present and possibly future in what can only be called a mixed bag. The opening track from Cemetery Junction is Are You Just Like Me (Spirit of Man) which brings back memories of the seminal album, Night of the Demon. However, the sound of the glory days ends there with the songs on Cemetery Junction ploughing at a more Hard Rock/Melodic Rock furrow with the extremely early 80’s sounding Queen of Hollywood and Turn on the Magic sounding like an early version of Magic from 1981’s Difficult to Cure by Rainbow. All that aside, there are some very good songs on Cemetery Junction, the title track in particular is quite catchy, Life in Berlin is another Hard Rock style song that will get stuck in your head alongside The Best is Yet to Come. The main issue with Cemetery Junction is that most of the songs fail to stick and feel distinctly average. These days, Hill’s voice seems rather shot and worn out with some songs, especially the ballads Thin Disguise, Miracle and Someone’s Watching You with Demon straying into Magnum territory with Hill’s voice sounding a lot like Bob Catley’s. In this similar vein, the penultimate song on Cemetery Junction, Out of Control has the vibe of modern Deep Purple with Hill actually doing an accurate impression of Ian Gillan’s voice these days. Cemetery Junction is sadly, rather a distinctly average album with some of the tracks being very good, but the album is also weighed down by filler and some rather grotesque ballads. Cemetery Junction will not be the worst album this year, however, it has been eclipsed by peer bands such as Diamond Head, Tygers of Pan Tang and even Steve Grimmett’s Grim Reaper. 5/10 Adam Are You Just Like Me? (Spirit of Man) (Hill/Walmsley)
lithium: inmate 39 (PS4)
this is a greyscale adventure puzzle horror game. You make your way through various traps puzzles and monsters to uncover the larger story. You have control over two main characters the first being a small demon type creature who seemingly has no form of offensive combat and a larger humanoid looking man that carry’s the smaller demon in a cage and has the ability to use weapons like guns. As well as this you will have a total of 37 other monsters trying to hunt you down and kill you to compete with. See the trailer below https://www.youtube.com/watch?v=3Wmh7ilfNYM Cossacks3 (PC) This game is a unit movement game you control serval carton style units and lead invasions on other forces. It is a real time strategy game full of resource management and using your troops effectively to reign supreme. In this game you control not tens not hundred but up to a 100 units at once all at your disposal. This is over 70 different types of units over twelve different nations each with their own unique tactics and style that can be employed. If you’re a lover of real time strategy games than this might be the game for you See the trailer below https://www.youtube.com/watch?v=MrklDCUpNEg Dear Esther: landmark edition(PS4/XBOX1/PC) This is a ‘walking simulator’ that follows the story of a man exploring an uninhabited island following a series of letters slowly building up the story to its eventual ending. It is a very creepy and dark looking ‘walking simulator’. This new edition will have a new feature such as a fully remastered soundtrack. Developers commentary if you have played before you can now listen to how set scenes were designed and made. More accessibility options such as lager subtitles a crosshair and brightness and sensitivity sliders. As well as trophies and achievements See the trailer below https://www.youtube.com/watch?v=mYknEAEbOD8 Virginia A first person thriller mystery game. In the same kind of artistic style as Fire watch. However, this will feature a completely silent protagonist. So it is up to you to solve the mystery with your wits and intelligence See the trailer below https://www.youtube.com/watch?v=s-UBRq3_ItY Warhammer 40k: eternal crusade (PS4/XBOX1/PC) That latest game in the Warhammer series. It is a massively multiplayer third person shooter in the style of many modern shooters it will have featured game modes like capture the flag and gather the intel. It is a fast fluid looking shooter if you are interested in a new online shooter based of Warhammer this game is for you. Trailer seen below (it is very scripted) https://www.youtube.com/watch?v=Jt43VLQCWDU Darkest Dungeon(PS4/XBOX1/PC) this is a rouge like RPG that sees a group of adventures descend into a dungeon. However, the rogue like twist on this is that every action your adventures take affects their mental states. If their mental state is poor they may go crazy. Become depressed or even stope taking actions and become despondent. This game isn’t just about exploring the dungeon but also about monitoring all the character so they can survive another day. Trailer shown below https://www.youtube.com/watch?v=AQLxdHfMPF8 Shantae: Half-Genie Hero Based off the incredibly good Shantae series this is the latest expansion into their series. As announced at e3 you mush crawl run bounce and hair whip your way through various dungeons collecting different abilities and treasures along the way beating various bosses. Now Shantae has here magic back you are also once more able to use special transformations and magics along your journey. If you like tightly controlled and sloid platformers with a bit of exploration and fighting this is the game for you. Trailer shown below https://www.youtube.com/watch?v=pr_dtRgC144 so are you looking forward to any of these games don't forget to leave a like or comment Andrei The trailer can be found though the following link or in the above player. https://www.youtube.com/watch?v=hir8nAGKLoo Time codes will be given for the specific points discussed 0.08-0.13 This is the first look at any kind of link between Sora and Aqua while they did meet we have never seen any sort of concert bond but this suggests a link is there. 0.21-0.22 This seems to confirm this link between Aqua and Sora more solidly to what depth aqua is aware of their link is still unknown. 0.29 We can see Riku mickey and Kari obviously in relation to the last scene of dream drop distance and locating the seven lights to combat Xehanort’s darkness. 0.31 Ven in a glass coffin. 0.34 –0.37 An image of master Uncronis and Luxo having some sort of conversation meaning that at least two of the masters have called Luxo out on possibly having a way to stop the keyblade war (0.34). Also even so close up his identity is still a mystery. Next frame shows the first boss fight from the game (0.35). Luxo is seen in the clock tower room holding what seems to be a keyblade, it is most likely he is not on good terms with the foretellers. Luxo is once again seen to be drawing his keyblade against another Foreteller, Foreteller Invi (0.37). 0.40-0.53 We see Ven and terra’s way finders being enshrouded in darkness and then passing the organisation seats. This could suggest that they will be two of xehanorts 13 darkness’s. particularly shown in the forms of Terranort and Vanitas/Ventus fusion. It should also be noted that if dark ven as I am dubbing him is one of the darkness’s is he more important due to his ability to use what looks like the completed X blade. However, it should be noted that it is simply aqua losing herself to her visons in the realm of darkness. 0.56 Name of the new track “simple and clean ray of hope remix” 1.09-1.24 Ven is in a glass coffin and we see the magic mirror confirming dwarf woodlands. The mirror seems to be reflecting aqua slow descent into the darkness as she loses herself to her own doubt and loneliness. 1.25 -1.31 This is the first time a reference to events possibly beyond the keyblade war have been made. Particularly the seven lights. However, it is in reference to the time of the foretellers it is possible that the keyblade war was a first test to unlock kingdom hearts. Another possibility is that Luxo already knows the outcome of the war 1.31-1.35 Alliances are forbidden Aced tries to make an alliance with ava and an unknown third faction. However, this just makes him seem more suspicious even though his intentions maybe good. 1.35-1.40 Distrust and agendas are starting to pop up between the foretellers the downward spiral to the war seems to be beginning. Invi mentions the keyblade war. 1.47-1.56 Seems like there could be an entire world within the magic mirror. 1.57-2.04 Tensions are rising. Invi is causing some sort of disturbance causing more tension it is possible that rather than being the traitor her actions are framing her as such. 2.05-2.11 A new clocked figure with his own foreteller journal. This could be Luxo and his own student. However, it is also likely that the one holding the keyblade is luxo as this is the keyblade he seems to be using in all other scenes so could this other cloaked figure be the original master. It is mentioned that he has to go it alone. Mabey that is why he is so sure of their fate he knowns their outcome already and that he is not allowed to change it. 2.12-2.28 Aqua is giving into the darkness but Mikey in his kingdom hearts 1 outfit saves her. However, she seems to stay behind. It is possible that aqua stayed behind to deal with a bigger threat as shown by the Darkside's gathering darkness rather than return to the light with Mikey. Andrei NBA 2017
The latest edition to the NBA basketball series The trailer can be seen below https://www.youtube.com/watch?v=cQKDcMxTAfw Batman TellTale(PS3/xbox360/PS4/Xbox1) Will contain episode 2 of the game and will wrap up a major plot point form the first episode The trailer can be seen below https://www.youtube.com/watch?v=uwMhxphBUqg Bioshock collection (PS4 and Xbox one and PC) The Bioshock collection will consist of a HD remaster of the three key titles in the Bioshock series. Personally it looks beautiful the gameplay as in the original Bioshock looks smooth and fluid. The remaster will come with with all the single player DLC for all three of the games as listed here Bioshock 1; plasmids DLC and challenge rooms. Bioshock 2; the protector trials and Minerva’s den and finally Bioshock infinite; Industrial Revolution Rewards Pack, Comstock's China Broom Shotgun, Comstock's Bird Eye's Sniper Rifle clash in the clouds and burial at sea episodes 1&2 The trailer can be seen below https://www.youtube.com/watch?v=YtFzTsJTmVM Dragon Quest VIII: Fragments of the Forgotten Past (3DS) This is an HD remaster/ remake of the classic dragon quest game for the 3ds. The main new feature of this game is the ability to share traveller’s tablets via street pass allowing every player to explore new dungeons. As well as random encounters being replaced with the new dragon quest visible encounters. During encounters there will be new unique backgrounds and enemies with their own new attack styles. The trailer can be seen below https://www.youtube.com/watch?v=VeInFdxmq3g MeiQ Labyrinth of Death (PSVITA) the game itself is a dungeon crawler with old-school 1st person dungeon exploration. The battels have 3d models both for allies and the enemies. Your main party is a 3 persona party. the main members being Mechas (Guardians in the game) which you can customise everything from their stats to ability’s. The trailer can be seen below https://www.youtube.com/watch?v=Hn_v6nEnHuM Mount and blade Warband (PS4/Xbox 1) It is a standalone expansion pack for the game mount and blade bosting several new features. Such as a new desert dwelling faction and an new over world map to accommodate bandit camps and several new animations for various forms of combat be it ground or horseback. The final feature I will mention is the addition of marriage The trailer can be seen below https://www.youtube.com/watch?v=sX37QA9o-Co Psycho-pass: mandatory happiness (PS:Vita/PS4) A visual novel with an original story set during the story of season one staring all of the main cast as well as three brand new characters occurring earlier on in the series. will have of a true ending as well as good endings and bad endings resulting in your death. Highly recommended for those who want more of their favourite Psycho pass characters. The trailer can be seen below http://nisamerica.com/games/psycho-pass/others/ Recore (Xbox 1/PC) An action adventure shooter. That sees you put in the shoes of a female protagonist and her band of merry robots. Who can aid her both in and out of combat. With her ability to level both her weapons and robots up. It will also feature a mechanic in which each robot can only defeate other enemies of the same colour as them. Valkyrie drive (PS Vita) based off the anime in a world where people can turn into weapons and others who can handle these weapons. However, to turn them into weapons they must sexually pleasure them. It is a hack and slash beat em with very character having a special not dissimilar to the latest Senran Kagura game. As well as the ability to customise the clothes your character is wearing with special costumes. The trailer can be seen below https://www.youtube.com/watch?v=9zo_BuF2rus Destiny the collection (PS4/xbox1) A remastered version of destiny in an all in one block buster collection featuring brand new content in the form of rise of iron The trailer can be seen below https://www.youtube.com/watch?v=PQN1KXD-4cc Don't forget to leave a like and tell me in the comments below if your looking forward to any of these games Andrei The Witcher 3: Wild Hunt
2015 CD Projekt RED Playstation 4 The Witcher 3: Wild Hunt is the third game in CD Projekt RED’s The Witcher series based on the fantasy novels by Andrzej Sapkowski. The Witcher 3: Wild Hunt was the first game that I had played in this series and therefore was genuinely impressed when the end credits rolled that it was based on a series of novels. You play as Geralt of Rivia, one of the last Witchers – monster hunters for hire. The game revolves around finding Ciri, a daughter figure to Geralt as he embarks on a quest that takes him back and forth from White Orchard to Velen, through Novigrad, Nilfgaard and Skellige and back again. The Witcher 3: Wild Hunt was by far, my personal game of 2015. I found the game fantastic and the story wholeheartedly gripping. I played the game through once on normal mode and then once more straight after on Death’s March mode. It’s safe to say The Witcher 3: Wild Hunt had me addicted and the sad thing is, as much as a trophy hunter that I am, I wished that there was more for me to do after attaining the platinum. I loved this game. The combat of The Witcher 3: Wild Hunt takes a little getting used to at first. When I first installed the game, I chose to play on Death’s March, however, after getting my arse handed to me by the first big encounter of the Royal Griffin, I quickly swapped to Normal mode to really get to grips with the combat controls. However, I grew to really love the controls, the dodging, parrying, the casting of signs. This is the game that The Elder Scrolls series should have been. Some of the encounters, especially on Death’s March were extremely challenging and frustrating, however, the sense of satisfaction after overcoming it made it extremely worthwhile. The only real monsters that I despised fighting was Wraiths, some of the fights involving these caused me to swear, a lot. The Botchling encounter and the Witcher Contract revolving around the lighthouse, these involved a lot of Wraiths, a lot of the use of the Yrden sign, Spectre Oil and profanities. I won’t give too much away, but the final battle of the game on Death’s March mode was utterly amazing, a true swords fight of epic proportions that lasts about 40 minutes, what a way to end a game. A true tip of the hat CD Projekt RED. It’s difficult to talk about the story in a game that I thoroughly enjoyed so much, the story has many twists and turns, big decisions to make, extremely dark moments and some very amusing points. The development of the characters themselves is really well done and thought out, each one giving glimpses of their backstory and expanding more and more without even having to play The Witcher 2: Assassin of Kings. Yet, for those who have played the previous game, the option to load your previous decisions so that you can continue into sequel is a great addition. One of my favourite parts of The Witcher 3: Wild Hunt was the inclusion of the mini-game Gwent. I played hours upon hours of Gwent and at parts enjoyed Gwent more than The Witcher 3: Wild Hunt itself. Initially, the first few games can be tricky, but a few innkeeper/merchant battles and the purchases of a few Gwent cards and you’ll become and unstoppable machine. I know a fair few people who actually hate Gwent and struggle to get their head around the game. However, I found the hardest part to Gwent was remembering which merchants/innkeepers that I had played already when collecting their unique cards. I countered this by eventually making a list. For the record, I play a Northern Realms deck, my favourite deck by far. Graphically, The Witcher 3: Wild Hunt is absolutely beautiful, it uses the REDengine 3 engine, this gives the world and the characters themselves so much definition and realism that at first glance, you would assume it to be a television program. Which leads me to state, sod Game of Thrones, when is there a Witcher TV series coming out? Because that would be amazing if given the right budget and writers. However, I digress. My only main criticism of the graphics in The Witcher 3: Wild Hunt was that many of the NPC’s that weren’t main characters had very similar features, especially the Dwarves and Halflings. But that is scraping the bottom of the barrel for things to moan about and when thinking about this, how many games can you think of that follow this exact transcript? I often say that my favourite video game musical score is from World of Warcraft: Wrath of the Lich King in the Howling Fjord area. Playing The Witcher 3: Wild Hunt brought back so many memories of being in Howling Fjord for the first time. The music is so vast and epic that it could be slipped into The Lord of the Rings. The harsh drums used during encounters aids in adding to the tension, especially during a boss encounter. The music drifts in and out during your exploration of the world, the score is quite epic and grandiose in Nilfgaard and Redania moving to a more savage and raw sound to match the harsh landscape and peoples of Skellige. The Witcher 3: Wild Hunt is an absolutely fantastic game, I massively enjoyed playing it and will certainly go back to playing it again in the future just for fun. With the release of The Witcher 3: Wild Hunt Game of the Year Edition being released this year, I may happily revisit the game then. Yes, the game crashed on me a few times, but less than Fallout 4 and certainly less than The Elder Scrolls V: Skyrim and Grand Theft Auto V, but with a game that encompasses so much, it is a testament to the amount of work that the team at CD Projekt RED have put into the game and the finished product is a masterpiece. Even after 1 year, I would class The Witcher 3: Wild Hunt in my top 20 games of all time and yes, the more I think about it, the further up the list it goes! 10/10 Adam Starting tomorrow in honour of retro gaming and throwback thursday chicken lizard will be doing a retro game day every thursday till we die and or get bored.
Life Is Strange
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November 2016
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